Home / Content, Local & Social / Half a day at your place, and a stack of clips out of it.
Content, Local & Social · On-site filming dayI come to you, shoot for half a day, and you get roughly ten to fifteen edited clips of the real thing — your building, your crew, the actual work. It is the raw material every other content service runs on, and most businesses do not have any.
Or call and talk it through: (305) 215-6132Designed and built for your business, one time.
That is the published price for this service. Buy it on its own, or fold it into a monthly plan — plans start at $297 a month and the pricing page builds any combination you like and shows the total before you commit.
The reason a local business's feed goes quiet is almost never that the owner ran out of ideas. It is that there is nothing to post. Stock photography of somebody else's tidy workshop reads exactly like what it is, and a phone photo of an invoice is not content. A filming day fixes supply. Everything downstream — posts, ads, the website header, the profile photos — gets easier once footage of your business exists.
The day itself is half a day on site, on a date you choose, working around your customers rather than shutting you down. I shoot the work in progress, the space, the tools, the exterior and the team, plus a handful of short pieces to camera if you are willing — who you are, the question every customer asks, one job you were proud of. Then it gets edited: roughly ten to fifteen clips, cut vertical for phone screens, with the color, the audio and the captions handled.
Two honest limits. It is half a day, so what you get is a good slice of the business rather than all of it — pick the day when something is genuinely happening rather than the quiet Tuesday. And it is a one-time project, $750 once, not a monthly. The footage is yours to use anywhere, but somebody still has to post it, and that is a separate decision.
What you want on camera, which day of your week actually looks busy, and what is worth tidying beforehand. It takes one phone call.
Half a day, on site, with a camera, a light and a microphone. You keep working. The best clips are almost always the ones where nobody is performing.
Cut, color, sound, captions, vertical. The talking pieces get trimmed down to the part you actually said well.
Clips and raw footage together, in a folder that belongs to you. Where they go next is up to you.
I turn up with a camera, a light and a microphone and shoot for half a day while you work. Jobs in progress, the space, the crew, the front of the building, close-ups of hands doing the thing you get paid for. If you want to talk to camera we do that in short takes and I ask the questions, so you are answering rather than reciting.
No. Plenty of the strongest clips have no talking in them at all — hands working, a before and after, the shutters going up in the morning. If being on camera is the thing stopping you booking this, book it anyway and we shoot around you.
Roughly ten to fifteen edited clips out of the half day. The number moves a little with how much is genuinely happening while I am there, which is why the planning call matters more than it sounds like it should.
No, it is a one-time project at $750 once. The monthly counterpart is social media management, which plans and publishes on a schedule. A filming day supplies the material; social management is what does something with it.
Then you may not need a shoot at all. The short-form video pack cuts eight finished videos out of footage you already have. A filming day is the answer when there is nothing usable to work from, and I would rather point you at the cheaper option when it fits.
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